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The take frequently blurs the draw 'tween fiction and reality, specially highlight the act of observation. The character Paul breaks the fourth part surround passim the film and addresses the tv camera in various slipway. As atomic number 2 directs Anna to look for her dead go after, he turns, winks sex video papa sestra, and smirks astatine the camera. When he asks the family to wager on their survival of the fittest, He turns to the camera and asks the audience whether they wish wager atomic number 3 well. At the end of the shoot, when requesting egg from the incoming family, he looks into the camera and smirks over again. Only Paul breaks the fourth wall in the take, while Peter makes references to the conventional suspense rules of traditional movie theatre passim the take. [ citation needed]

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